It has been a long time since I’ve posted… somehow between wrapping up our season, witnessing a new conservative majority come to power, and getting ready to shift into festival mode, there has been little time to put any thoughts down in print. While so much has happened in the past several weeks, I’ve chosen three things to share. From politics, to media persuasion, to glorious art, in no particular order here’s a salvo of things worth thinking about:

1) My colleague Gay always tells me to start things off with a bit of positive stuff (good advice!), but in this case, I have to get something off my chest. Perhaps like you, I support many of the issues brought to light by AVAAZ, and am proud to have helped thwart Sun Media (SM) in its bid for public funding. This of course couldn’t stop them from being on the air, but it did prevent us taxpayers from having to pay for their vile skewing of information. Case in point: the SunNews/Krista Erickson interview with Margie Gillis, aptly headlined ‘A lack of Compassion”. The attack – it can be called no less than that, certainly not objective journalism – launched by Ms. Erickson on her unsuspecting guest, is truly incredible to witness. While Ms. Gillis was certainly not prepared for the direction SM pursued, I am super impressed by her grace under fire. The whole point of SM/Erickson’s indignation centres on public funding for the arts or, as suggested in her closing remarks, for anything that isn’t “profitable”. (I wonder what Erickson drives and if she has any idea how much the auto industry has been subsidised – as Michael Franti sings: “Hypocrisy is the greatest luxury, raise the double standard!”). The big reason I am bothered by this is SM’s “reporting” on arts funding contains only bottom-line figures and zero attempt is made to create any context for those figures. Statistics are available that demonstrate a decent return on every dollar of public investment in arts and culture and high public support for government funding of the arts. Journalism is supposed to inform, and while it is naive to imagine that today’s pop-journalism isn’t biased one way or another, the distortion of information that is this “interview’s” net result is sickening. More disturbing is the connection between Quebecor, Sun TV News, Kory Teneyecke, and Stephen Harper… (If you want to have some fun, do a Google search using Sun Media/Teneyecke and AVAAZ).

2) OK, time for the good stuff… while media moguls are working their spin to influence our minds, Paul Kent and the people at the Greater Halifax Partnership have been exercising their minds to craft a new five year strategic plan. It’s got some pretty inspirational stuff in it, not the least of which is the inclusion of greater support for arts and culture funding and infrastructure development. You see Ms. Erickson, some people do know what the “creative economy” is and appreciate the important role its many parts play in the strengthening – and betterment!! – of society. I would venture an opinion that these ideas are particularly important in their application to the emergence of ever important city states. I guess the folk at GHP aren’t listening to SM…

3) Speaking of city states, in terms of culture Montreal has it going on! I am currently here checking out shows at the FTA (Festival Trans Amériques). While everything I’ve seen thus far has value (as a tax payer I am more than happy to contribute a few dollars a year to have access to this unprofitable stuff), a few of the works have really rattled my cage – in ways good and bad. While I suspect I will feel compelled to write about these in greater length in a future post, last night’s show by Japanese artist Daisuke Miura was a true punch to the throat. Yume No Shiro (Castle of Dreams) is a hyper realist slice of life that pitches the audience into the role of voyeur looking into a day in the lives of eight young adults co-habitating in a tiny Tokyo apartment. Blistering in its emotional hopelessness/indifference this Castle of Dreams proposes a bleak existence for today’s Tokyo youth. Damn if my world view didn’t get expanded by this work of art… As with some of the other shows I’ve seen here, whether or not it’s my “cup of tea” is irrelevant. The impact and end result are what matter. Do I have a new perspective? Have I been forced to confront something uncomfortable? Do I now look at my fellow humans with different (more compassionate?) eyes? Yes. Yes. And Yes! Art is grand: It raises us above the muck of ignorance and asks us to be present, to form opinions, to be open to the experience of others, and to acknowledge our humanity.

Live Art Dance kicked off its last show of the season last night and it rocked. I first got turned on to Vancouver”s 605 Collective almost two years ago at the annual Dance in Vancouver festival. DIV has two primary objectives: Shine the spotlight on dance to celebrate the province”s artistic richness, invite “buyers” to the party to share the wealth. I remember being impressed by the number of artists and the quality of work being made (especially when you consider that BC ranks dead last (by a long shot!) in terms of per capita cultural investment) but what really impressed was the number of younger artists who were pushing barriers and fully/successfully embracing DIY production. I”ve been looking forward to seeing 605 Collective”s show Audible live since first meeting these people back in October 2009.

Our evening started with a great history lesson provide by Drew Moore/Concrete Roots. While I”ve been privileged to catch snapshots into the history of hip hop culture by the likes of B-boy Buddha (Canadian Floormasters), Moore gave us a very precise idea of how hip hop was born (I had an aha! moment when I realised that”s how the term Break dance emerged!) Anyhow, long story short, the 605 Collective has respectable street cred while managing to pull off a smokin” hot contemporary dance performance.

The level of energy they sustain from start to finish is amazing… As one of The Woods grrls mentioned afterwards, usually a hip hop dancer has to go all out for three minutes max, then they get at least a small break… Once Audible starts the 605 crew rocks til the end. Run, jump, flip, hit the floor, slide, a little lockin” and poppin”… Don”t miss this show!

Oh, and before I sign off, while this is definitely a feel good show that you can just watch without thinking about anything, they also challenge you to think (something I always welcome in dance). The inspiration behind Audible was born largely from how we now communicate – texting, tweeting… face-time with out actually having any face to face time! Interesting to see how this very tight ensemble shifts in and out of harmony with each other depending on who”s leading, who”s biting, and who”s actually looking in another person”s eyes. Virtual vs flesh and blood.

I love the idea of dance on film… it”s like a great clash between opposing forces: on one side we”ve got the ephemeral and somewhat esoteric David and on the other the timeless and ubiquitous Goliath. What great mash-up potential!

Over the past decade dance on film has really come into its own. Festivals have popped up all over the world and the marriage between the two has become really profound. I certainly don”t mean to suggest that no hot dance films existed before we rang in the new millennium (Norman McLaren”s Pas de Deux dates back almost a half century!!)

Still from Nora (in the photo: Nora Chipamaure)

It”s more that the working relationships between discipline specific creators have evolved, leading to some great collaborations between choreographers and filmmakers. While “dance films” made by choreographers/dancers with cameras (who seem to have, ahem, limited knowledge of film making) are still abundant, it is now far slotmachines easier to find great films (usually made by people with actual film-making experience.) Laura Taler is one such individual: oodles of dance experience that has for over a decade now been wonderfully channeled into making dance films. Check out her deliriously wonderful A Very Dangerous Pastime.

While YouTubing is great, it does not replace seeing a film”s colours and images bursting off a screen in large format. Live Art”s Dance on Screen goes live tonight (April 6) and one of the feature films that you will be hard-pressed to see anywhere else is Nora by Alla Kovgan and David Hinton, with choreography by Nora Chipaumire. Based on the life of Zimbabwean-born dancer Chipaumire, this film is part biopic, part fable, part dramatic cinema… and a totally perfect marriage of dance on film!

Witness the marriage of two beautiful art forms as dance on Screen goes live as part of the Halifax Independent Filmmakers Festival at the Lord Nelson Hotel (1515 South Park) in the Regency Ballroom, April 6th and 7PM.

I recently had an opportunity to witness Chinese dancer/choreographer Gao Yanjinzi teach a class in Halifax. Wow!  Phenomenal strength and control married with explosive energy were the qualities that were readily apparent. Every hand gesture and limb movement was so precise, and seemingly butterfly light. It was thrilling to watch our local dancers tackle her movement and see it translated into their occidental bodies.

It really makes me wonder what we are going to see tonight, when Wen Wei Dance and the Beijing Modern Dance Company take to the Rebecca Cohn stage in Under the Skin, a work co-choreographed by Vancouver-based Wen Wei, and Beijing-based Yanjinzi. Each created work on the other’s dancers, creating a culture clash that I strongly suspect will be thoroughly enjoyable to witness.

Read Andrea Nemetz’s preview here.

Depending where you live, you will have more or less access to performance opportunities born of spices not indigenous to your locale. Forgive the spice commentary – I’m making a dal as I write this – but the analogy is not so far off. After all, how much cultural trading has taken place along the spice route?

OK, maybe I’m just hungry… but one thing is for certain: I am definitely turned on by cultural differences found in food and art!

That’s why I am so excited about this weekend’s show at the Rebecca Cohn Auditorium. Vancouver-based Wen Wei Wang became an instant favourite a few years ago when he and his company performed Unbound. His highly anticipated return, with the Beijing Modern Dance Company, brings a whole new flavour to the Halifax dance scene, one that we are not likely to have again for a number of years!

Wen Wei’s latest work, Under the Skin, co-signed by BMDC choreographer Gao Yanjinzi, with dancers from each of their companies performing alongside each other, will be flavourful indeed!

One of the best compliments I’ve heard about the Salt Truck Follies from peers & colleagues who also do fundraising activities is: “We may make more money than you, but yours is waaaay funner”!

While the goal of the Salt Truck Follies is definitely to raise funds to supplement our annual programming activities, putting on a great show is integral to the equation! Luckily, Halifax is chock full of amazingly talented (and generous) individuals willing to donate their time and energy. This really helps put the fun in fundraising!

This year’s edition is no exception and we are super excited to count on the incomparable Cathy Jones as our Maîtresse de Cérémonie! Opening acts by Maria Osende Flamenco, Hot Mess, and Greg Thomey will warm up the audience for the highly anticipated Dancing with the Halifamous. This reality tv spin-off connects 4 local celebrities with some talented dance artists to produce a series of short numbers. This year’s brave contestants are (drum roll please!!): composer/musician, Dinuk Wijeratne, CTV host, Maria Panopalis, vocalist extraordinaire, Heather Rankin, and Fid chef, Dennis Johnston. With choreographic contributions from the Halifax Salseros, Concrete Roots, Veronique MacKenzie and Sara Harrigan, the show will be rich in talent!

A competition is not complete without judges! Adjudicating this year’s performances will be the wonderfully insightful Chris Shore, Greg Thomey, and Laura Penny!

O my!

Not to be missed!

Salt Truck Follies goes live Saturday March 5th at 8:30PM at the Meinertzhagen Theatre (945 Tower Rd, Halifax Grammar School, doors open at 7:30)

Paul-André Fortier and company arrived in Halifax last night and are set to transport their Cabane to three different performance sites in Halifax. While using three locations triples the work for Live Art and Fortier’s crew, it also becomes a bit of a game for audience members… each new location provides a unique perspective through which to watch the fun unfold and stimulates specific reactions to the environment.

Fortier appears as a the straight man to Rober Racine’s comic. Not that this is a comic duo, but it does suggest a little Beckett here and there, with their sense of play and deliberate mocking of each other. There’s a great interview with Paul-André in yesterday’s Chronicle Herald, check it out here!

I also just read a great preview in The Coast. Both provide excellent background on the motivation behind the creation of this work.

As the Canada Games get set to kick off in Halifax, Live Art Dance is leading the charge for the cultural component. No, I”m not talking about the National Artist Program that is affiliated with the games, but Cabane, a site-specific performance installation performed by the totally delightful duo of Paul-André Fortier and Rober Racine. Their quixotic relationship evolves throughout the 50 minute work (anchored in, on, and around a portable shack) and provides each with their moments to shine. Fortier is as elegant and energetic as ever (which is thoroughly impressive given he surpassed 60 years of age a few years ago), and Racine is quite simply mesmerizing. They have a wonderful Straight Man/Funny Guy/Potso & Lucky thing going on… as if they”ve forgotten about waiting (for Godot, or anyone else) and are captivated with living life as one moment of creation after another.

Inspired by ideas of shelter, Cabane was created to be performed in site-specific locations… and Live Art Dance chose to push the idea a little further: each of the three performances in Halifax will be performed in a different location! Talk about micro/macro organisation!!

For a (sur)real good time come join us Feb 17-19!

As the Canada Games get set to kick off in Halifax, Live Art Dance is leading the charge for the cultural component. No, I”m not talking about the National Artist Program that is affiliated with the games, but Cabane, a site-specific performance installation performed by the totally delightful duo of Paul-André Fortier and Rober Racine. Their quixotic relationship evolves throughout the 50 minute work (anchored in, on, and around a portable shack) and provides each with their moments to shine. Fortier is as elegant and energetic as ever (which is thoroughly impressive given he surpassed 60 years of age a few years ago), and Racine is quite simply mesmerizing. They have a wonderful Straight Man/Funny Guy/Potso & Lucky thing going on… as if they”ve forgotten about waiting (for Godot, or anyone else) and are captivated with living life as one moment of creation after another.

Inspired by ideas of shelter, Cabane was created to be performed in site-specific locations… and Live Art Dance chose to push the idea a little further: each of the three performances in Halifax will be performed in a different location! Talk about micro/macro organisation!!

For a (sur)real good time come join us Feb 17-19!

As the Canada Games get set to kick off in Halifax, Live Art Dance is leading the charge for the cultural component. No, I”m not talking about the National Artist Program that is affiliated with the games, but Cabane, a site-specific performance installation performed by the totally delightful duo of Paul-André Fortier and Rober Racine. Their quixotic relationship evolves throughout the 50 minute work (anchored in, on, and around a portable shack) and provides each with their moments to shine. Fortier is as elegant and energetic as ever (which is thoroughly impressive given he surpassed 60 years of age a few years ago), and Racine is quite simply mesmerizing. They have a wonderful Straight Man/Funny Guy/Potso & Lucky thing going on… as if they”ve forgotten about waiting (for Godot, or anyone else) and are captivated with living life as one moment of creation after another.

Inspired by ideas of shelter, Cabane was created to be performed in site-specific locations… and Live Art Dance chose to push the idea a little further: each of the three performances in Halifax will be performed in a different location! Talk about micro/macro organisation!!

For a (sur)real good time come join us Feb 17-19!